Presentations: Steam, Speed, and
Modernity
Short
Presentations-Guidelines
Schedule
of Short Presentations
· They should be ideally 5-8 minutes (no longer than 10 minutes).
· They should summarize a critical article, historical topic, literary text, or Victorian/ Neo-Victorian artifact
· I encourage students to concentrate on not only critical articles and literary texts but also on other forms of media (including visual art, photography, websites, graphic novels, and computer games).
· Short presentations form 5% of your final grade.
Please read the list of presentation topics carefully. If you cannot decide upon a topic, I have starred * those that are of particular significance for the course.
Almost all of the books and articles listed below are available for one hour and overnight loan at the library reserve desk.[1] For display during class meetings students may use the in-room document camera (for images from books) and computer (which has easy web access and reads CDs).
Week 5
Week 6
Week 7
- SARAH
WALCZEWSKI
- KYLE BUESCHLEN
Project prospectus due (Thurs 3/2)
Spring Break
Week 8
- SHANNON WILLIAMS
Take-home midterm due (Fri 3/17)
Week 9
- LAUREN RESSUE
Week 10
John McKean, Crystal Palace: Joseph Paxton and Charles Fox (books on reserve)
Week 11
- LAUREN LEWIS
Week 12
Week 14
Topics and Images for short
presentations OR final project presentations
1.) *William P. Frith, "The Railway Station" (1862) - in Victorian Taste, ed. Jeannie Chapel (Zwemmer)
- In The Victorians, British Painting 1837-1901, ed. Malcolm Warner (National Gallery):
2.) *J.
M. W. Turner, "Keelmen Heaving in Coals by Night" (1834-5) [see #
12-14]
3.) *Ford Madox Brown, "Work" (1852,
1856-63)
4.) *Augustus Leopold Egg, "Past and
Present," no.s 1-3 (1857-8)
5.) *Edward Lear, "The Pyramids Road, Gizah" (1873)
6.) *Samuel Luke Fildes,
"Applicants for
Admission to a Casual Ward" (1872-4)
7.) *James Tissot, "London Visitors"
(1873-4)
8.) *James Tissot, "On the Thames"
(1875-6)
9.) *Hubert von Herkomer, "Eventide: A Scene in
the Westminster Union"
10.) George
Clausen, "A Spring Morning, Haverstock Hill" (1880-1)
11.) William Quiller Orchardson, "Mariage de Convenance" (1883)
12.) *J. M. W. Turner, “The Slave Ship” (Slavers throwing overboard the dead and the dying—Typhon coming on” (1840). See detail.
13.) *J. M. W. Turner, “Snow storm: Steamboat off a Harbour’s Mouth” (1842)
13.) *J. M. W. Turner, "Burning of the Houses of Parliament" - 2
oils (1834)
14.) *J. M. W. Turner, "Rain, Steam, and Speed - The Great Western Railway"
(1844) - in Turner: Rain, Steam, and Speed, ed. John Gage.
15.) *J. M. W. Turner, "Sunrise with Sea
Monsters" (1845)
16.) *J. M. W. Turner, The Fighting "Temeraire"
tugged to her last berth to be broken up
17.) *James Whistler, "Nocturne in Black and Gold:
the Falling Rocket" (c. 1874)
18.) *Edward Burne-Jones, "The Mill" (1872-80)
19.) *Henry Hawkins, "Penryhn Slate Quarry"
(1832)
20.) *James Tissot, "Gentleman in a Railway Carriage" (1872)
[see # 7-8]
21.) *Various drawings and photos of the
Great Exhibition(1851) [see # 30 and other
22.) *George Cruikshank, "Charles Dickens Street"
See also: A collection of images of signalmen, railway accidents, and railway construction—to be viewed alongside our Dickens readings.
In Victorian Science and
Engineering Portrayed in the Illustrated
1.)
"At work in a woolen factory" (1883) - p. 18
2.) "Crossfield’s soap works,
3.) "Atlantic cable" series (1857-66)
- pp. 38-40
4.) "The Great Eastern" series
(1857-60) - pp. 44-49
5.) "The Workmen’s Penny Train"
(1865) - p. 62
6.) "The first locomotive into
7.) "
8.) "The
Metropolitan Underground Railway" (1863) -
pp. 74-5
9.) "Railway
accident at Thirsk" (1892) - pp. 78-9
10) The Great Exhibition of 1851 series: "The Queen opens the Great
Exhibition," "Brunel’s ‘monstrosity’ and
Paxton’s palace," "The transept under construction" - pp.
90, 112-15 [see # 20 and other Crystal Palace books below]
11) The International Exhibition
of 1862 series: "Forge used in building the International
Exhibition," "Platt’s mule," "International
Exhibition 1862, machinery in motion" - pp. 116-19 ]]]
-In Michael Freeman, Railways and the Victorian Imagination:
1.) Railway prints by J.C. Bourne, A. F. Tait, and T. T. Bury – pp. 216-38
2.) T. T. Bury, “Chasm of the Olive Mount Cutting” (1831) – p. 27
3.) Paul Pry, “March of Intellect” (1829) – p. 60
4.) Popular sheet music discussed by Freeman – pp. 207-11
5.) Toy trains and other educational materials – pp. 195-213 (See Thomas the Tank Engine below)
6.) Abraham Solomon, “First Class – The Meeting,” “Second Class – The Parting” (1854)
Other texts to consult for presentations
-On Charles Babbage/
Swade, Doron.“Redeeming Charles Babbage’s Mechanical Computer.” Scientific American (Feb. 1993): 86-91.
Kim, Eugene and Betty Toole. “
Charles Babbage and His Calculating Engines, ed. Philip Morrison (primary documents and a good introduction)
-On Victorian Gothic style (one Victorian art
writer’s critique of mass production)
John Ruskin, “The Nature of Gothic.” Unto this Last and Other Writings, ed. Clive Wilmer (Penguin, 1986)